I just wanted to post my Animation Work through the years, and follow it up by including some of my goals.
* PLAYLIST: Here's my old Vintage Stuff from the 1990s-2000s from UARTS N AIPH(Philadelphia):
It's mostly an archive of clips. I did have a demo reel or 2 or 3 but I kind of hate it by now and also can't find it/them at the moment plus they had copyright music on them.
* PLAYLIST:
My UMASS BostonAnimation N Art Stuff
(Still wrapping up the last few goals N projects still):
* PLAYLIST: * Post UMASS Boston:
This is a compilation mash-up music video of the Motion Graphics Animations from UMASS Boston N Post UMASS Boston from 2016-2018:
A slapped-together mash-up of some of the ideas n conceptual stuff i wanted to do since UMASS Boston (2017) which I'd also included in some pitches & proposals. But I still have my own original vision of them as well. They're very rough:
So, progress takes time... but, sometimes it also means taking breaks, which is a hard lesson. Anyways, that's just the rough conceptual stuff. I've definitly blogged about those before, so I'll skip the details. Those will remain rough for the moment. I WILL however be pushing to move more into the Traditional Animation direction, but with the fusion of digital & traditional art.
Once I wrap THIS stuff up this year, I will NEVER be doing puppet animation a a main focus EVER AGAIN in my own PERSONAL WORK. I AM MOVING ON FOREVER. But, I am reaching a number of my own goals with the digital end, and learning the software. But, the more I do puppets & curves animation, and stuff like that the MORE I KNOW IN MY HEART that I am a traditional artist N animator, and that COMPUTERS ARE TOOLS and NOT a substitute for ART and ARTISTS.
I will STILL defend artists that do vectors n puppets because they have value, so I won't become a big snob over that stuff. It's JUST not for me tho'. I actually do like a lot of motion graphics stuff tho' like moving pictures/scenery or "Plotographs".
But for now, it's just a Work-In-Progress:
Addressing Narrative Bias N Story-telling Work:
Look, I get it. Not everyone goes to study film in Academia, so people are conditioned to BELIEVE that cinema, films, and cartoons MUST therefore ALL tell a story.
* I also realize MANY of the criticisms literally are coming from children pretending to be grown-ups online, or even older men that never studied in academia about Arts & Cinema and have a skewed ignorance about what "Experimental" means. (Also the irony that ignorant stances of folks get triggers by pointing out that its ignorance without understanding what the definition of "ignorant" and "ignorance" means and taking it as tho' it were a derogatory word, when it isn't.)
* It's also very odd to have people literally condensed to me about my work, and when I explain it they accuse me of being condescending. *face-palm*
So, I will eventually be doing story-telling stuff. I mean, if you follow my Snapchat, I tell stories ALL THE TIME just by being ME. But I DO NOT WISH to make a full story of ANYTHING unless I can have more time & practice with things like mood, timing, lighting, software, and practicing the animation itself.
A major problem I personally have with "Tweening Animators", "Curves Animators", "3D Animators", "Puppet Rig Animators", and many forms of "digital animators" is they often flagrantly ignore animation rules, but not as a form of comedy but due to laziness or ignorance.
And, I'm not saying they MUST follow animation rules because I say so, like some arrogant old punk. But, I just want to strive and do better FOR MYSELF. I CAN DO BETTER, BE BETTER, and STRIVE for a better expression of art, THEN THAT IS WHAT I WANT FOR MYSELF.
Me wanting MORE for myself doesn't detract from YOU as an artist or an ANIMATOR.
I can be open minded enough to love, support, and VALUE your work as a whatever kind of animator YOU feel happy and comfortable doing N being, but I can also hold those views N stances WITHOUT having to be a conformist to them.
Look, I AM A TRADITIONAL ANIMATOR in my heart. I will ALWAYS BE THAT. Right now, I'm doing a lot with digital stuff, and there's room for Traditional Animation & Traditional Art within the Digital worlds and vice versa.
I'm STILL on this journey...
Maybe you can't see what I see, or get it. Maybe you can't understand it.
But, I am a LOT of things, and I MUST be TRUE N Authentic TO MYSELF BEFORE I can be true to you, and anyone else. There's also NO reason ANYONE ought to feel threatened by these things either. I am also a Philosopher, and Photographer, and Filmmaker. So those things won't be going away. Accept me FOR ME. Because I CAN be open minded enough to accept YOU for YOU.
I am planning on doing some Commentary videos with animation to address a lot of this stuff FOR FREE.
Anyways, all of this stuff I just posted above is for practice, and I will be eventually creating my Qilin Film! That's the first big goal!
Hopefully within the next 2 years, I'll be a able to make it there! But, I'm having a funding problem at the moment, and I STILL need a WACOM Cintiq!
Much of my motion graphics works are to help me with coloring, lighting, timing, digital keyframing, and software practice. These things make sense to me.
But, I do actually have 2 other stories that I still have, and have also been blogging about for a few years.
They were 2 concepts that I started since my teenage-hood. I did recently acquire some software to help me get there, but things can only be done step-by-step but as 1 step at a time.
But, I am a LOOOOOOOOOOONG way away from reaching N achieving THOSE 2 things.
But, I BELIEVE I CAN REACH IT!
I hope my dream might become YOUR DREAM AS WELL.
Anyways, like I keep saying in my older blogs: I only have the rest of my life left to live, so I'd better do what matters to me as an artist.
Also, narrow minded N prejudiced
folks are gonna need to get over the fact that I'm also a photographer,
and that I shoot video N film/cinema.
I'm NOT sorry that I like those
things, and include them within my art, because I'm NOT WRONG.
They will
NOT be going away, at all, ever.
Me in Cosplay in a TV project still WIP, in South Field.
Me in another TV/Video clip I'm still working on in North Weymouth
Me a Weymouth Great Pond in South Weymouth
Still frame from "The Holy Maple Tree" which is my friend Roland's film, shot on set in Brockton Mass. Actress: Shevon as "Moonbeam" the Hippie character.
Production Still from "The Holy Maple Tree" shot on location in Rhode Island. Actor: Raidge
Filmed at BTV for "The Holy Maple Tree" ("speak of The Devil" fake news show on fake "Heaven N Hell TV" Channel in Bridgewater Mass. Composit, Graphics N Animation by me.
Camera Crane Jib Shot Slate filmed on Location in Rhode Island "The Holy Maple Tree"
Bokeh Maple Leaf Shapes Screen Tests: Shot in Connecticut Papa Joe's band
Gorgon After Life Scene: Shot at BTV & Weymouth by Me. Compost & VFX also by me. "The Holy Maple Tree"
So, this December, I'm FINALLY wrapping up an ENTIRE year FILLED w stupid setbacks N delays, as well as STUPID petty dramas of numerous folks, BUT I'M STILL GOING!
I look back upon a body of work of SO MANY GOALS completed, and IN THE MIDDLE OF COMPLETION at this very moment! Others about to start or re-do. I got a 3rd Place Trophy at NewGrounds.com on Thanksgiving Day. :)
[I also did the audio on this which u can download for free]
I've actually been doing various versions of The Jackalope film because my ORIGINAL CONCEPT was actually all 4 seasons. So, each part I made a mini-film out of as well.
[I also did the audio on this which u can download for free]
[Incidentally, I know a lot of the kids out there need music n audio that's free & legal, so I have a number of music N audio clips in my New Grounds that is FREE, and YES I licensed them to Creative Commons. NO, you DON'T need my permission, JUST TAKE IT, and do whatever u want with it. YES, it IS polite to credit me, but NO I'm NOT coming to hunt anyone down if they don't. I have a LOT of sympathy for kids & students learning animation or various other projects they need stuff for, or even practice.]
This is THE MOST WORK I HAVE EVER DONE on ANY animated film SO FAR, EVER!
I wanted to combine the 4 pieces (plus some other stuff, and OTHER variations) but like a a fusion of old vintage 80s-90s NES + SNES video games, N Arcade Games, as well as OLD vintage 90s CD-ROMS.
For this one I referenced CAPCOM's Street Fighter II.
This one is referenced from Nintendo's Double Dragon.
And, back in Spring 2017 I'd always wanted to incorporate this Sakura Waterfalls piece into my Film Final at UMASS Boston, but didn't know how at the time. So, I redid it for ASMR Visuals on NewGround.com. There's several versions on YouTube, but my NewGrounds videos are WAY more popular.
I did some other graphics to resemble old 90s CD-ROMS.
Especially THIS ONE:
Or, graphics loosely referenced from old Japanese Sailor Moon Video Games as well.
But, if you look at my "Movies" gallery on NewGrounds it's literally my Animation & Motion Graphics Goals for This year, but also some dating back until 2017. There's ONLY a few concepts left to do, finish up, or re-do.
I will be re-doing my 2016 film "Smattering Thoughts Also Flow" including the new Butterflies I did this year for Inktober.
I'll be moving onto the Butterfly puppet animation as soon as the Jackalope stuff is totally wrapped up. BOTH of these, including the other Jackalope films will be in my TV Show "A Spirit To Be Free".
The original concept for the original film I did incorporated my lanterns, including the one I made, and the Work-In-Progress Film I did for Cinema Studies/Experimental Film Class at UMASS Boston Fall Semester 2017 is HERE:
The full documentary is here:
I wanted to animate the butterflies with my lanterns B-roll footage and I've shot SO much since then. But, I'd also wanted to do the butterflies with some 3D After Effects compositions. I actually JUST did a Waterfall animation video this week, but I haven't uploaded it yet because its slow. (My internet STINX.) I've also been busy animating, making graphics, n editing audio + video.
But, I'd also re-shot the Chinese calligraphy story/art presentation multiple times.
My video instructor made me re-shoot it so many times, and including REAL ink instead of the water scroll. But, I needed guidance and never got it fully, because he often ditched us, or me especially when I needed him. he often would tell me he would be right back, then actually went home. I also wasted SO MUCH time N energy on commuting and re-borrowing equipment.
I actually have not only my own equipment now at home, BUT I also have WAY BETTER stuff now than the stuff at UMASS Boston because I ACTUALLY NOW have my very own mini-camera crane! I will probably ALSO be turning my living room into my filming studio next month because I'm THE ONLY PERSON LIVING IN IT. Everyone else spends time in their bedrooms doing their work or leisure.
I'd also been working on a few rough concept art pieces at the end of August N Early September for part of my Ying Qilin Film which is eventually my BIG ultimate goal. But baby steps, 1 by 1.
At the moment THIS one is on hold because the other stuff I'm working on is THAT TIME now because it's not hot summer weather. And I can use my computer more frequently, and all day. So, it's on the back burner right now.
I also have ONE more Motion Graphics/Moving Picture Composition I haven't finished painting yet.
I need to update THIS picture to HD, but the amount of painting work I need to do for the HD version is OVERWHELMING.
The trouble is that hackers destroyed the finished version, so I need to repaint it from scratch BEFORE I can even do the HD video animation motion graphics.
I found the old B N W version, and I'd started painting it back in the winter BEFORE I went down to Florida in March. But, I never finished it. too many OTHER things came up N I totally forgot about it.
It will be similar to THESE other ones I made back in December 2017-Feb-2018 which were originally JUST still images:
[Side Note: If you like this style of a semi-still picture that moves I HIGHLY recommend my friend Lizkay's animated work found HERE.]
But, moving into 2019, once I'm finished with the puppet animations, I'M MOVING ONTO TRADITIONAL ANIMATION FOREVER. NO MORE PUPPETS! ^_^
I will still be integrating puppet animations as motion graphics elements inside my traditional animations as well as Effects animation like particles.
PLUS, I got TRAPCODE SUITE 15 NOW! ^,^
So, what's NEXT?
Well, if you didn't know this, I actually hang out FREQUENTLY on AMB Animation's LIVE STREAMS on YouTube. And YES, I AM aware that some people strongly dislike him.... but, the thing is.... he's generally RIGHT. But, he's also opinionated and outspoken. But, a number of my friends hang out with him in his streams, and I gotta tell ya, he's actually a pretty nice guy, its just that he talks BIG in his streams as his marketing style.
If I had the money I WOULD totally invest in his Library option. I also like Aaron Blaise's streams n stuff as well.
But, AMB has some free stuff on his website, and I personally want to get back into animation basics N fundamentals.
However, I do have ONE OTHER concept piece that's also STILL on my mind, since Spring 2017 at UMASS Boston, and THAT one is Traditional Animation based.
I had actually created a number of concept sketches for it a while back, but basically, I'd wanted to my OWN Artistic re-interpretation of the ending graphics for an OLD 80s French Anime TV show called "Mysterious Cities of Gold. This ONE:
In fact, I'd already done a few ROUGH animation bits back in Summer 2017 of that very concept, which I'd also recently re-cut for a Video Art Proposal back in September in Boston for Boston CyberArts. (-and, NO, I didn't get it.)
In fact, I have a few more proposals to submit to them in the next few days.
But, this concept has been morphing N progressing quite a lot in my head this year.
I want to probably COMBINE this concept with my own artistic re-interpretation of an old James Bond film into:
OMG! I just LOVE THAT! But, also, KEEP IN MIND, I JUST GOT TRAPCODE! ;-) Tee-hee!
But..... here's the thing.... the whole GUN motif... yeah... that..... so, I'm not anti-guns, per se, but.... guns just ARE NOT MY THING.... they just aren't..... like u won't see 'em in my art... maybe some swords N archery.... but that's it...
But, I LOVE those pretty nude lady artsy silhouettes.
So, I was thinking up different graphical concepts that were NOT GUN RELATED..... IDK, all the gun motifs just make me feel UNCOMFORTABLE....
But, I like LANTERNS.
So, I figured I'd remake mine with lanterns, candles, torches, and useful objects, or tools, that have more fulfilling meanings to me personally.I dunno, I've been a multi-times victim of sexual assault, rape, n violence multiple times that GUNS in my art bother me being paired with nude ladies, so try and understand that.
I'm NOT a New Age-y person anymore but I STILL love all the imagery, like "Love and Light" or "Enlightenment", and other symbolic motifs. Please remember that I am a Philosopher as well as an Artist. I'm generally NOT bothered by people legally owning a gun, or enjoying regulated target practice at a gun range. (and YES I HAVE fired firearms since I was at least 6 because my uncle wanted me to, at my Mom's old car, which ticked off my grandfather because he owned the car even tho' it was just sitting there for a few years... and yes, he was in all kinds of armed service jobs including military n police, among others; and as a teen I was a pretty good shot w a bee-bee gun and a 22 rifle, but it seemed like a waste because we shot small eggs on beer bottles.) Personally, I HAVE hunted game using a Compound Bow, so I DON'T view guns as sportsman-like for hunting at all, and they ruin the meat. But, I also get if you want to have a small gun if you're being stalked. I am a philosopher, so I'm more in line with the thinking of Bruce Lee's "The Art of Fighting Without Fighting" (or Alan Watts) and various other Shaolin & Taoist philosophies as well. But, for whatever reason people r so brainwashed into this stuff that I NOW need to list a whole bunch of family members that were policemen, military vets, and ALL the DUDES I ever banged or seriously dated or flirted with enlisted in the service, etc... please, don't. I'm a philosopher, I'm NOT pushing an agenda, so leave it at that.
I DID actually work on Tipsy TV this winter. So here's MY WORK including Camera work, MOtion Graphics n VFX + Editing:
Yes, I AM still very excited to be producing 2 of my very own TV Shows in my town, but I'm also going to be working on a show of my friend's as well which is a revised/redone version of "On The Scene" which he did a few years ago. I'll be shooting that this week, and also a few more times this month.
AND, I'm STILL the DP (Director of Photography) on the film "The Holy Maple Tree" which is NEVER ENDING for a short film.
Not only did I get promoted to Graphics and the Chief Editor, but I ended up becoming DP.
I had the DAUNTING TASK of trying to salvage and force a lot of stuff to fit together in what's called "the hike scenes" among crew. SO, I worked SO HARD to come up with this edit, which actually went well, and was received VERY WELL by cast N crew.
(Mostly shot on a camcorder, n various other cameras)
Unfortunately, this actor took his career goals very seriously to become an EMT, and altho' he was perfect to work with, and was our back-up for the 1st actor in this lead role, we found another actor in Rhode Island that was just the perfect match, and it was sad because we all still liked this guy as a person and liked working w/him.
Anyways, the previous footage of these scenes were not finished, and were fraught w/problems due to camera persons, the former DP, and cast N crew drama. Plus I have arthritis in my spine n this location is A KILLER.
Needless to say, I did manage to go shooting there this year a number of times, and WAY TOO MANY OF THEM. PLUS, I had personally invested in my own equipment, and upgraded the film by pushing for higher quality.
Suffice it to say, we've achieved it (CANON 70D EOS DSLR):
Kit lens w star cross filter/ This Actor is SO AMAZINGLY GOOD!
Kit lens w star cross filter
This lens is a $1000 lens: CANON 135mm F2 which we rented to achieve ultimate bokeh. NOT A ZOOM lens.
Kit lens
Shot on a camera crane w a kit lens
Shot on 50mm prime lens on low level light on the lowest F-stop. This actress is also VERY good on camera, and is also an Indie Film Director & Recording Artist/Producer, and all around creative type
[Also, nearly ALL of the costuming of Moonbeam, the Hippy character, including makeup supplies N jewelry, was done by me.]
As you can see my camera work has improved a lot, and I'd surpassed a number of things done by several of the Indie filmmakers I'd been working with since 2016. I was so dedicated to learning more about lenses, exposure, white balance, Prime lens, Kit lens, and Zoom as well as really cultivating a respect for things like Long Takes, L-Cuts N J-Cuts and even getting my own Video tripod as well as a Camera crane despite EVERYONE being hell-bent on drones, which makes NO SENSE because drones are for aerial shots.
The delays on this film made me SO GRUMPY. SO, once the summer ended I switched gears back to animation N drawing again. The heat waves made it impossible to use the graphics software(s).
I'd completed my film with my daughter also "Maple Bacon" in our brand "Titanic Panoramic" which also has a YouTube Channel:
I just tend to be more popular on NewGrounds this year, whereas my YouTube channel got screwed N demonetized n no one even seed my updates because they suppressed my content. However, she just granted a monetization last month, and is booming in views.
I now have a portfolio profile on ArtStation which I will probably be updating this month, but I'm rather busy at the moment.
I'm HOPING to get this FINAL Jackalope film DONE BEFORE Christmas.
OTHER STUFF I have IN THE WORKS Coming up:
I JUST GOT a new Green Screen Chroma-Key Lighting Kit! SO EXCITED!
It arrived days ago, but I didn't open it yet because of my husband, Mr. Wang. I don't want to open it around him because he's a SPAZZ and he's got finals at MASS ARTS Boston because he's at Graduate School studying for his Master's Degree in Art.
I also ordered a plain Chinese Folding Screen... so u can't see my ugly living room, but ALSO so I could paint something on it!
I'm also going to be making a NEW PIRATE HAT/Bonnet.
That will take a while to arrive here.But, I did get some bits for it already. I will retire my old Pirate hat back to a Witch Hat, which is what it ACTUALLY is.
I also FINALLY got my VERY OWN fake leaves. This was SUCH a pain in the butt to get, but I FINALLY got some. I need them for a prop on the film which I've worked on while on stream, but for the film "The Holy Maple Tree".
I actually haven't finished it. I have a persistent pesky problem with hackers, and they targeted me SO HARD in September N October, and wore me out.
I was actually doing very well at my motivation to stream LIVE , but they kept hacking me.
So, I gave up and moved onto animation for a while. I was very upset that I couldn't continue w/Inktober N Drawtober, but they even hacked my modem, video card, iPhone, and my Abode Creative Cloud.
It was frustrating. They also hacked my streams, and deleted my streams in Salem Mass on Halloween.
So, I hope to finish that also. It's on the back burner at the moment tho'.
I also got a Prism for trendy photography N video effects. I'm sure u've seen the stuff on Instagram all over the place. (BTW I'm NO LONGER ON INSTAGRAM)
But, I am a LOOOOOOOOOOONG way away from reaching N achieving THOSE 2 things.
Also, narrow minded N prejudiced
folks are gonna need to get over the fact that I'm also a photographer,
and that I shoot video N film/cinema. 
